To commemorate their Great Victory, they host the Axis Tour: an annual motorcycle race across their conjoined continents. The prize? But Yael, a former death camp prisoner, has entered with one goal: Win the race and kill Hitler. We are so obsessed with Wolf by Wolf as it made out hearts race, hearts break. This book was so important in furthering our understanding of how Imperial Japan and the Third Reich interacted as global powers during the war. Add Wolf By Wolf to your Goodreads shelf! All Ida Mae Jones wants to do is fly.
Flygirl pushes us to see beyond our own experiences and enlightens us with new perspectives and a rich untold history. Add Flygirl to your Goodreads shelf! Karl Stern has never thought of himself as a Jew. So when Max Schmeling, champion boxer and German national hero, offers to give Karl boxing lessons, it seems like the perfect chance to reinvent himself. But when Nazi violence against Jews escalates, Karl must take on a new role: protector of his family.
In s Munich, danger lurks behind dark corners, and secrets are buried deep within the city. Gretchen follows his every command until she meets a handsome young Jewish reporter named Daniel Cohen.
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Will she choose the safety of her former life as a Nazi darling, or will she dare to dig up the truth—even if it could get her and Daniel killed? Get your tissues ready because you are about to cry more tears than you ever knew you had. A tall fence stretches as far as the eye can see and cuts him off from the strange people in the distance. Bruno longs to be an explorer and decides that there must be more to this desolate new place than meets the eye. While exploring his new environment, he meets another boy whose life and circumstances are very different from his own, and their meeting results in a friendship that has devastating consequences.
But Joe Spooner brought more back with him than just good war stories. She finds herself falling for Peter, ignoring the secrets that surround him until a tragedy occurs that shatters her family and breaks her life in two. Elizabeth Wein brings us another thrilling and deeply affecting novel that explores the bonds of friendship, the resilience of young pilots, and the strength of the human spirit.
But in s America, a white woman raising a black adoptive son alongside a white daughter is too often seen as a threat. But that peace is shattered by the threat of war with Italy, and teenage Em and Teo are drawn into the conflict. Will their devotion to their country, its culture and people, and each other be their downfall or their salvation? Amsterdam, Hanneke spends her days finding and delivering sought-after black market goods.
On a routine delivery, a client asks Hanneke for help. Expecting to hear that Mrs. Janssen had been hiding, who has vanished without a trace from a secret room. In early , thirteen-year-old Mina Masako Tagawa and her Japanese-American family are sent from their home in Seattle to an internment camp in Idaho. What do you do when your home country treats you like an enemy?
Dust Of Eden discusses the Japanese internment camps in an eye opening way, allowing its reader an inside look at this part of American history. Though less talked about, Dust of Eden shines a light on important perspectives and events concerning Japanese americans throughout World War II. Add it to your Goodreads shelf! With The Fire On High set us aflame from the very first sentence, not that we expected anything short of….
Books Authors Posts. Sort by: Per page. Or both. Come for the carnage, stay for the social introspection. Evans knows exactly how long to needle the audience with a slow-burning mystery before letting the blood dams burst; his conclusion both embraces supernatural craziness and uncomfortably realistic human violence. Gone is the precision of combat of The Raid , replaced by a clumsier brand of wanton savagery that is empowered not by honor but by desperate faith.
Evans correctly concludes that this form of violence is far more frightening. The result is a tense, effective thriller that goes out of its way to highlight two strong actors Bruce Greenwood and Carla Gugino in an unfettered celebration of their craft. This is nothing new for Flanagan, whose recent output in the horror genre has been commendable. Is this coincidence? Or is the director drawn to stories that reflect the struggle of women to claim independence in their lives by shedding old scars or ghosts, be they literal or figurative?
It would be a great movie to put on during a Halloween party, provided your guests have very strong constitutions. Two performers bare it all, both literally and figuratively: Creep 2 is one of the most surprising, emotionally resonant horror films in recent memory.newwifenewlife.com/pora-smartphone-monitoring-tool.php
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Instead, Saulnier simply presents us this nutty scenario without feeling the need to lard it up with anything as cumbersome as topical commentary or moral ambiguity. He proceeds to wring as much tension and suspense from its pulpy retro plot as possible, adding a few entertaining grace notes along the way, which can best be seen in its performances.
Meanwhile, Saulnier supports these characters and plot turns with filmmaking that is remarkable for its economy and patience. Sean Porter gets a lot of mileage out of the cramped quarters and grimy lighting of the bar, lending its wide 2. In those ways, the lean, mean Green Room stands as one of the best B-movie genre exercises in many years.
Scream 2 Year: Director: Wes Craven It was going to be hard to follow up the original Scream for plenty of reasons: Aside from it being one of the more innovative, self-aware horror films in years, Wes Craven killed off all of its bad guys in the final scenes of the movie.
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As always, the film is painfully critical of the horror movie genre while still scaring the pants off audiences in voice-morphed, quizzical phone calls and Ghost Face pop-ups. It remains the only Scream sequel to approach the original in terms of overall quality, thanks to its ability to turn over new leaves in examining the conventions of film sequels.
Evil , answers the simple question: What if those hillbillies are just socially awkward fellows sprucing up a vacation home and the young college kids in question are just prone to repeatedly jumping to incorrect, often fatal, conclusions? Think Final Destination meets the Darwin Awards. This is true of slow-burn cinema of any stripe, but Kusama slow-burns to perfection. The key, it seems, to successful slow-burning in narrative fiction is the narrative rather than the actual slow-burn. In the case of The Invitation , that involves a tale of deep and intimate heartache, the kind that none of us hopes to ever have to endure in our own lives.
The film taps into a nightmare vein of real-life dread, of loss so profound and pervasive that it fundamentally changes who you are as a human being.
The film starts in earnest as Will Logan Marshall-Green in top form arrives at a dinner party his ex-wife, Eden Tammy Blanchard , is throwing at what once was their house. He has brought his girlfriend, Kira Emayatzy Corinealdi , along with him. Where we end is obviously best left unsaid, but The Invitation is remarkable neither for its ending nor for the direction we take to arrive at its ending. Instead, it is remarkable for its foundation, for all of the substantive storytelling infrastructure that Kusama builds the film upon in the first place.
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Their latest, The Endless , is all about brotherhood couched in unfathomable terror of Lovecraftian proportions. Though, in The Endless , the end is uncertain, but maybe the title makes that a smidge obvious. Its image is only seen on camera once, but once is enough to make an impression. Here, the intimacy is fraternal, which perhaps speaks to how Moorhead and Benson feel about each other.
It leans entirely on its performances, which are excellent.
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The early moments of back-and-forth between the pair crackle with a sort of awkward intensity. The Conjuring Year: Director: James Wan Let it be known: James Wan is, in any fair estimation, an above average director of horror films at the very least. The progenitor of big money series such as Saw and Insidious has a knack for crafting populist horror that still carries a streak of his own artistic identity, a Spielbergian gift for what speaks to the multiplex audience without entirely sacrificing characterization.
Reminding me of the experience of first seeing Paranormal Activity in a crowded multiplex, The Conjuring has a way of subverting when and where you expect the scares to arrive. Its intensity, effects work and unrelenting nature set it several tiers above the PG horror against which it was primarily competing. It was simply too frightening to deny, and that is worthy of respect.
This South Korean story of a career-minded father attempting to protect his young daughter on a train full of rampaging zombies is equal parts suspenseful popcorn entertainment and genuinely affecting family drama. Twisted, dark and beautiful all at once, it careens through a wide variety of tones and techniques without ever losing its singular intensity.